That of the painters of cinema was a magical and mysterious art. Cinema is the art of movement, how can we summarize it in a painted rectangle? How to extract a single image for two hours? How to transform two-dimensional actors?
This volume contains many of the most significant works of the most authoritative group of Italian masters; leafing through it brings us back to the shocking emotion of those spectators who, from the 1940s to the early 1990s, had the privilege of seeing the streets of their cities transformed into exhibition spaces dominated by powerful designs, capable, in a few meters of paper, of synthesizing a film, to generate the desire to see it, to imprint its indelible memory in memory.
{ Gian Luca Farinelli }
This volume contains many of the most significant works of the most authoritative group of Italian masters; leafing through it brings us back to the shocking emotion of those spectators who, from seeing.
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